“A musical journey for MIND and BODY — both a stimulant and a sedative. It offers many engaging stopovers, from an oasis of calm where the pulse evaporates, to Led Zeppelin like headbanging reminiscent of "Kasmir" to moments where the cello loops interleave with the sweet delicacy of Vivaldi. If you have a spare hour to let this SINGULAR, HYPNOTIC music wash over you, the world might just seem a little brighter.”

~NPR 
 
“The intrepid cellist Maya Beiser has reimagined the piece INGENIOUSLY. The result is TRANSFIXING….moody and introspective, but also, by the end, quietly UPLIFTING.”

~The New York Times
 
“Using acoustic and electric cellos, as well as a looper and computer software, Beiser has created a SONIC TSUNAMI that runs from soft ripples to towering waves of sound.”

~Strings Magazines
 
“The MESMERISING tribal ECSTASY of Beiser's opening movements seems equally rooted in Africa, India, and psychedelic rock. One of the movements sounds as if it was created during prayer in a medieval cathedral; another comes across like an OTHERWORDLY variation on an Indian raga. Welcome to In C as you've never heard it before—but will surely want to hear again.”

~Stereophile Magazine
 
“Beiser takes advantage of state-of-the-art looping technology to slowly build and layer her cello phrases into a MONUMENTAL, near-orchestral statement of rhythmic and harmonic BLISS. The end result is joyful and poignant, haunting and alarming—a new kind of music of the spheres, a place where I want to live.”

~Chronogram Magazine
 
“An ecstatic, HYPNOTIC piece of minimalism with sacred overtones.”

~The Guardian 
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